Jan 31, 2017 - Transcriptions. From the album Chick Corea Elektric Band - 'Eye of The Beholder'. It appears that you do not have a plug-in to view PDFs. Download the latest driver, firmware, and software for your HP Photosmart C4480 All-in-One Printer.This is HP's official website to download drivers free of cost for your HP Computing and Printing products for Windows and Mac operating system. HP Photosmart C4480 printer driver download. HP Printer Photosmart C4480 Description. The printer is a model in the family of the HP Photosmart C4400. Hp photosmart c4480 installation software. Here are the first three choruses of Brad Mehldau’s solo from his most recent album recorded at the Village Vanguard in New York City, Brad Mehldau Trio (Live). I always loved this solo. When I first heard it, I was somewhat floored. Doom unexpected guests. Brad’s seemingly dissonant yet wonderfully melodic lines had developed to an entirely new level. As usual, the solo itself also developed and unfolded flawlessly. Although I only got around to transcribing the first three choruses, I feel that there is a wealth of information that one can learn from these three alone. To sum up how I interpret what Brad is doing, I believe he is essentially taking the elements that make up the average melodic bebop line and applying them through different cycles, as well as simply interpolating different keys over the harmony of C.T.A. The tune, C.T.A., is very similar to a rhythm changes tune, however, the A section is slightly different at the beginning. (Let me add that I also think he simply hears this way at this point after a great deal of practicing). First of all, what makes a good bebop line? As my former teacher Hal Galper coined the term, “Forward Motion.” Basically, the idea that every line is leading to a strong melodic tone (root, 3rd, 5th, 7th) that falls on beat 1 or 3. (I highly suggest that you go to halgalper.com and learn more about Forward Motion.) If you listen carefully, you can hear that Brad’s dissonant sounding lines often use forward motion, but sometimes the “melodic” tones are actually led to in a different key than the original key of the tune. That’s my theory. Hope it helps. Enjoy the transcription, and please feel free to contact me with any questions you have. Don’t forget to go to the top right of the home page and subscribe to the blog so that you always know when there’s a new post! Click “follow.”. While I was at the Brubeck Institute, in Stockton, CA, I had the priviledge of working with a great young pianist, Taylor Eigsti. Taylor is one of my favorite people to study with and I go back to him for lessons whenever I feel in need of some inspiration. Whenever I feel bored with a subject, he instantly finds a way to challenge me. I have lots of great ideas and exercises that I will eventually get around to posting about that I have learned from Taylor, but I wanted to take a look at this video of him playing “Like Someone In Love.” You’ll notice that throughout the video he uses lots of great runs in his left hand to fill up space, acting as exciting, modern-sounding fills. I teach lessons online with services like Skype and Google Hang Outs, so feel free to email me if you are interested: [email protected] Categories • (31) • (2) • (14) • (26) • (12) • (1) • (9) • (13) • (5) • (5) • (1) • (8) • (39) • Stride Piano Solo on Ain’t Misbehavin’ • It’s been a while since my last stride video, • Here’s another augmented jazz pick for your • Jazz Improv Lesson – Augmented Lick #2 • In this short jazz piano tutorial, I demonstrate the fourth in a series of interesting and.
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